SHOW REVIEW: Songs Carry On; Remembering Musicians Lost in 2016 - January 7, 2017


Last Saturday at The Legion, took place the show Songs Carry On, to pay tribute to some of the great world-known musicians that died last year. Conceived by musician Britt Meierhofer, the concert brought together local artists to perform their favorite songs by legends like David Bowie, Prince and George Michael. “I chose songs by artists that have impacted and influenced me to some degree,” said Britt, who played The Bottle Let Me Down by Merle Haggard, 100 Days 100 Nights by Sharon Jones and Modern Love by David Bowie, among other songs. The Juno Lounge of the Legion Branch 43 is a place dedicated to the military veterans and their families. Everybody that enters the place is asked to take their hat or cap off in respect to those people who served the country. This act, in a certain way, helped all present demonstrate their respect for the amazing dead artists that contributed to transforming the music scene. “I think the show went well, the turnout was better than expected and everyone was very kind and supportive,” evaluated Britt.

Some of the poems by Leonard Cohen, such as My Mother Is Not Dead and This Isn't China, were read by Jordan Tucker between performances. Tucker opened the night with one of them and handed the microphone to Sean Wesley Wood, who created a melancholic atmosphere during his performance, playing his versions of songs like The Heat Is On by Glenn Frey. Nathan Kelly animated the audience, singing some of Prince’s, David Bowie’s and George Michael’s songs with great success, like TVC 15 (Bowie), Faith (Michael) and I Could Never Take The Place Of Your Man (Prince). Naomi Kavka kept up the vibrant climate by singing Life on Mars by David Bowie and Careless Whisper by George Michael. At some point, all the local artists played together making the crowd dance. The show that began minimalist and intimate ended joyful and vivacious, like a big part of the awesome musicians that were honored that night. 

- Photo and article by Fernanda Paulilo